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To be fair, the inevitable episode about Tuvok’s mating impulses faced a number of conceptual problems that played into the scripting of Blood Fever. Like so many of Voyager‘s central premises, Tuvok’s pon’farr ended up a disappointment. It was quite literally as late as the production team could place it, and the writers opted to bury that inevitable plot beat in the subplot of an episode focusing on the characters of Seven of Nine and the EMH. Tuvok would ultimately deal with that quirk of Vulcan biology in Body and Soul, the seventh episode of the seventh season. The production team would ultimately leave Tuvok’s battle with the pon’farr until the last possible minute. In fact, given the expectation that any Star Trek spin-off would last seven years, putting Tuvok on the bridge all but assured that Voyager would have to deal with the character’s pon’farr.Īnd it did. Given that Spock was the franchise’s most iconic character, there were certain expectations that came with that. After all, Voyager was the first Star Trek show to feature a full-blooded Vulcan character in the title cast and the first spin-off to feature a regular with pointed ears.
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Voyager was always going to have to do a pon’farr episode. Waiting seven seasons for this must be very unsatisfying. As a result, Blood Fever ends up a muddled and ineffective piece of television that seems unwilling to call out its characters and which inevitably builds towards a tired rehash of an iconic Star Trek scene. The script feels like a victim of the same social mores that it seeks to critique, either unable or unwilling to talk about sex and sexuality in a manner that is suitably candid. Unfortunately, Blood Fever lacks the courage of its convictions. Fontana) in Amok Time, as the volcanic eruption of sexual desire following years of repression. It is building upon the idea of pon’farr as introduced by Theodore Sturgeon (and refined by D.C. In many ways, Blood Fever is an exploration of contemporary attitudes towards sex and sexuality, of the damage that can be wrought by sexual repression on levels both personal and societal. In its strongest moments, Blood Fever feels like it wants to be that kind of classic Star Trek metaphorical exploration of contemporary society.